Devido ao crescimento da rejeição do público em relação aos anúncios publicitários, surge uma tendência de criar novos formatos de comunicação e novos modelos de distribuição que reduzam a imagem de “intruso” na vida do cidadão. Longe da pretensão de criticar, incentivar ou prever o futuro deste movimento, este blog é um arquivo de matérias publicadas na internet sobre esses programas, vídeos, jogos, curtas, sites, seriados, que também são conhecidos como: propaganda.

Wednesday, March 01, 2006

Digital product placement alters TV landscape
February 26, 2006 - Reuters

A breakthrough in television advertising debuted without fanfare last spring as a brand-name box of crackers appeared on the CBS sitcom "Yes, Dear" for about 20 seconds, seen but hardly noticed by millions of viewers.
Unbeknownst to them, the image of Kellogg's Club Crackers had been digitally painted onto the top of a coffee table after the scene was filmed, launching the latest advance in a growing marketing practice known in the industry as product placement but derided by critics as "stealth advertising."

The "Yes, Dear" episode in April 2005 marked the first commercial use of a patent-pending innovation dubbed Digital Brand Integration, or DBI, developed by New York-based Marathon Ventures, and grew out of an unprecedented marketing deal with CBS.

Since then, CBS has used the technology to plug brands such as StarKist Tuna and Chevrolet on several other shows, including the hit police drama "CSI: Crime Scene Investigation" and new sitcom "How I Met Your Mother."

Blending brand names and products into television shows, as opposed to traditional ads that run during commercial breaks, has gained greater currency in recent years as the industry faces the rising popularity of TiVo and other devices that let viewers skip commercials.

But some industry experts suggest that product placement--digital or otherwise--has limited value in delivering a commercial message.

Experts say striking that balance poses one of the greatest challenges to product placement.

Brenner said his system puts computer-generated brand integration on the same business footing as traditional TV ads by giving networks control over an "inventory" of placement opportunities they can sell on a routine basis.

The key component in his DBI system is a process for cataloging each frame of video in a given TV episode to build a list of precise scenes and positions offering advertisers the best natural fit for their products. The idea is for digitally inserted images to be visible but not overly conspicuous.

"Simply placing a can of something, or a box of Wheaties on a table in the background...I'm not sure if that builds brand preference or brand loyalty, or if consumers, quite honestly, realize it's there," said David Cohen, interactive media director at advertising agency Universal McCann.

According to Nielsen Media Research, network placements in prime time last year numbered 108,261, up more than 30 percent from 2004. The trend has been most pronounced on reality series such as NBC's "The Apprentice."

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